Francine Prose’s 1974: A Personal History

Francine Prose
1974: A Private Historical past
Harper, 2024

Prolific novelist and critic Francine Prose’s first memoir is a robust instance of deeply private, political historical past written in her normal stellar prose. Though Prose acknowledged in my first MFA course that “you possibly can’t educate writing,” I’d argue that one can study so much about writing from studying her books (some thirty or extra finally depend). Her consideration to element, dialogue, and the rhythm of life is obvious all through her work. Her memoir is about in 1974 and it’s an important yr in Prose’s life and our collective historical past as a nation. At twenty-six, she’d left her marriage, revealed her first novel (Judah the Pious), was engaged on a 3rd, and moved to San Francisco. She writes of this time, “I appreciated feeling free, alive and on edge, even slightly bit afraid … I needed to really feel like an outlaw.” This was the San Francisco of the early Seventies with activism within the air but in addition a bitter coming-of-age for the sixties technology who’d thought they had been altering the world. For Prose, “If the late ’60s had been about believing in the potential for elementary change, the Seventies had been concerning the dawning realization that the modifications we’d needed weren’t going to occur.”

Prose writes about her relationship with Anthony Russo, an “anti-Vietnam struggle whistleblower and free speech hero” and one in every of two males from RAND Company who leaked the Pentagon Papers. She’s sufficiently starstruck by Russo—“I had by no means met anybody like Tony”—though her portrait of the person exhibits his petty frustration at not getting the identical “credit score” (learn: media consideration) as Daniel Ellsberg. Prose and Russo spend nights driving round in his historic Buick—giving her house to explain San Francisco with pretty noirish prose: “As we headed west via Outer Sundown and circling again alongside the avenues of Outer Richmond, shiny streaks of neon signage dripped down the windshield onto the glistening streets.” Her attraction to the not clearly engaging Russo is detailed in an early scene:

We each cared about politics. We each appreciated tales. We each appreciated to snicker. We had been each much less easygoing than we tried to seem … Gravity’s Rainbow was one in every of our favourite novels. It spoke to our perception that historical past and the forces that formed it had been in each far more sinister than probably the most evil situations we may think about.

She hopes for an emotional connection however serves extra as an ear to Russo’s ranting. And though her good friend and roommate tries to warn Prose off of getting concerned with Russo, she embraces the connection. Their near-nightly rides round San Francisco and alongside the Pacific served Prose’s want for a kind of directionless freedom: “I had no concept the place we had been going or the place we might find yourself. I appreciated not figuring out, not caring, not having to determine.” There’s a second of their first night time collectively after we see a touch of Russo’s darkness. They’re parked at night time above the ruins of the Sutro Baths: “We stood on the sting of a drop-off. There was simply sufficient moonlight filtering via the clouds to see the darkish stone swimming pools beneath us, the cracked basins stuffed with muck. Past the ruins had been the seashore and fog and the black waves rolling in.” Prose acknowledges the horrible risk of the second: “Trying again, I’m slightly frightened for that woman hanging out with a semi-famous, probably unbalanced good friend of a good friend, trying down right into a stone pool into which an individual could possibly be thrown and nobody would ever discover them.” However, she says, “I wasn’t scared then.” And it’s a part of the ability of her writing that we will really feel on this scene the longing for freedom of our personal twenty-something selves. The affair finally ends badly, and Prose strikes on along with her life: “We misplaced observe of one another, and we let ourselves overlook.”

Together with her normal deftness, Prose weaves the non-public, the historic, and the political right into a story of her personal progress into a robust author and the nation’s awakening into the fact of our home and international violence, buying and selling idealism for acquisition. By setting the narrative in 1974, private occasions play out within the shadow of Nixon’s resignation, the Pentagon Papers, the Patty Hearst kidnapping, home spying by the CIA, and the continuing horror of the Vietnam Struggle. For Russo, bringing to gentle the American authorities’s cowl ups in assist of continuous the Vietnam Struggle was each a campaign and his downfall. As Prose exhibits, by the point she met him, he was paranoid, bitter, and dangerous information. However it’s a part of the work of memoir that Prose accomplishes to point out her personal dangerous decisions and the best way she was in a position to transfer on. For Prose, her time with Russo serves as an area for reflecting on what is feasible. “Once I hear individuals speaking concerning the crises we face now, saying that there’s nothing that may be performed.… Tony believed that you just needed to do one thing. That’s what we believed.… Even when … the possibilities had been that the majority of what you probably did would finally be undone, you continue to needed to attempt.” It is a deftly woven and fantastically written memoir by one in every of our most essential writers.