In case you advised AI to write down a rags-to-riches story with the aesthetics of Peaky Blinders however sponsored by a financial institution, you’d get Channel 5’s tedious interval drama The Hardacres. Tailored from a novel by CL Skelton by the staff behind All Creatures Nice and Small, it follows a Yorkshire household from handbook labour to the excessive life, by way of what appears like an advert for investing sensibly with Halifax.
Once we met the Hardacres within the first episode, the ladies of the household had been merrily gutting fish whereas the lads carried heavy issues round on a dock. Life was robust however spirits had been excessive – they shared jokes as they labored – till Hardacre patriarch Sam (Liam McMahon) nobly pushed one other employee out of the best way of a falling crate, injuring his hand and placing himself out of labor.
Issues went from unhealthy to worse when Sam’s spouse Mary (Claire Cooper, finest often called Hollyoaks’ Jacqui McQueen) visited his boss to ask for an advance on his pay, just for the boss to demand sexual favours in return. She was fired for refusing him, and with lease due, the household had been compelled to assume shortly. Fortunately, on the planet of The Hardacres, pure intentions and laborious work had been all it took to succeed. What an incongruously feel-good marketing campaign for capitalism.
Regardless of a few false begins – the household had been turned away from a grand home the place they’d hoped to put in daughter Liza as a maid, whereas Mary’s concept of establishing a fried herring stall proved profitable till she and her son Harry had been mugged at knifepoint for his or her earnings – issues had been quickly not simply trying up, however positively rosy.
Reprising Mary’s herring stall, the Hardacres discovered success once more. This time, when the thugs got here calling, all it took to ship them scurrying was Ma Hardacre (Julie Graham) threatening to inform their dads: “I do know your father […] Now I’m wondering what he’d should say about you going spherical robbing ladies and younger boys?” It was at this level that I really spat out my tea in disbelief.
Whereas in actuality, financial precarity entails making troublesome selections to maintain the wolves from the door, the Hardacres by no means appeared to fret about getting wolfed up. Leaping in entrance of heavy objects, humiliating highly effective males, standing as much as knife-wielding criminals – fairly except for having dire penalties, all these objectively harmful selections (actually) paid off.
Equally eye-roll worthy was the banking storyline. In a scene lasting what felt like eons, newly minted Mary and Sam go to a kindly banker who defined at nice size the best way to handle their herring cash – “have you ever thought-about enlargement and funding?” – which was not solely boring but in addition baffling. I felt positive that the banker would show to be a swindler, or a protracted misplaced relative, or one thing that merited spending so lengthy with him – but when so, it stays to be seen.
As a substitute, when a mine the couple had invested in struck gold, so did the Hardacres, and because the episode drew to an in depth, we noticed them arriving at their new stately house (the one which had turned Liza away for the maid’s place, how’s that for redemption). “You possibly can name me ma’am”, stated Mary triumphantly to the outraged housekeeper. You possibly can name me exasperated.
Finally, The Hardacres is about class – one of many UK’s favorite matters and ample gasoline for countless fascinating storylines. Sadly, that potential was squandered. Somewhat than investigating how cash impacts identification, the intersection of what folks need and what they’ve entry to, The Hardacres peddled a patronising fairy story with as a lot substance because the baffling constructing society advert marketing campaign shoehorned into its opening episode. The Hardacres may need hit the jackpot, however their story made for paltry leisure.
‘The Hardacres’ continues subsequent Monday at 9pm on Channel 5