Director Tim Burton has revealed that being on the web makes him really feel “fairly depressed”.

Forward of the opening of a significant profession retrospective in London, he informed BBC Information: “Anyone who is aware of me is aware of I am a little bit of a technophobe.

“If I take a look at the web, I discovered that I bought fairly depressed,” the 66-year-old mentioned. “It scared me as a result of I began to go down a darkish gap. So I attempt to keep away from it, as a result of it would not make me really feel good.”

The World of Tim Burton on the Design Museum options 600 objects which organisers say give “a uncommon non-public glimpse into his inventive course of” and goes on show within the UK for the primary time on Friday.

Burton is best-known for guiding movies akin to Batman, Edward Scissorhands, Charlie and the Chocolate Manufacturing facility and Alice in Wonderland, in addition to Beetlejuice and its current sequel.

Reflecting on his use of the web, Burton mentioned: “I get depressed in a short time, perhaps extra rapidly than different individuals. Nevertheless it would not take me a lot to begin to click on and begin to brief circuit.”

The film-maker mentioned preserving busy and doing easy issues akin to taking a look at clouds helps him really feel higher. As does his assortment of ten large dinosaur fashions that he retains in his yard together with a 20ft T-Rex.

Burton pulls out his cell phone and proudly exhibits us an image of a 50-foot Brontosaurus. He buys those you discover at amusement parks, including that actor Nicolas Cage has “actual ones”.

Burton was born in a California suburb simply exterior of Los Angeles however has lived in London for the previous 20 years.

“I used to be a foreigner in my very own nation,” he informed the BBC when requested about adopting the UK capital. “Once I got here right here, whilst a foreigner, I felt extra at dwelling, as a result of that is the place I really feel comfy”.

Burton has lengthy been thought of a “tortured outcast” and self-declared “weirdo”. As a toddler, he channelled his creativity into artwork and grew up watching basic horror motion pictures and creature options which developed his love for monsters.

“It was very clear from King Kong to Frankenstein to Creature from the Black Lagoon that each one the monsters had been probably the most emotional. The people had been those that scared me,” he mentioned.

“They had been the offended villagers in Frankenstein – just like the web – these anonymous faces [Burton makes monster roaring noises] and the monster at all times had probably the most emotion and most feeling despite the fact that they’re regarded upon as a sure approach.

“Each monster normally has some type of pathos and a few type of humanity” that the people lacked he added.

Objects related to movies starting from Catwoman to Corpse Bride have been loaned to the brand new exhibition from Burton’s private archives, movie studios, and personal collections of collaborators such because the designer Colleen Atwood.

What nonetheless scares Burton are the fast developments in synthetic intelligence.

“It is one thing I am unable to even fairly fathom,” he mentioned, earlier than referring to an incident final 12 months the place AI was used to remodel Disney characters into Burton-style characters.

“Till it occurs to you, actually do not perceive it. Nevertheless it was fairly disturbing: intellectually and emotionally disturbing. It felt like my soul had been taken from me.

“It is like when different cultures say, ‘oh, do not take my image, since you’re taking away my soul’. And that is how it’s. It is one thing that is robbing you of humanity.

“All I can say is, like, I perceive these different cultures after they really feel like your soul is being sucked”.

Burton first started working as an apprentice animator at Disney and made immense contributions to stop-motion animation earlier than occurring to direct blockbusters akin to Batman (1989) and Batman Returns (1992).

When requested whether or not he would return to directing a movie from the superhero style, his response was a fast “no”.

“It felt new on the time,” he displays. “There was strain as a result of it was an enormous film and it was a distinct interpretation of comedian books. In order that was a strain, nevertheless it wasn’t the strain that you’d expertise now.”

Burton demurs when requested about what he needs to shoot subsequent. Maybe the horror basic Frankenstein?

“No, no,” he laughs. “I’ve executed my model with a canine [referring to his 2012 film Frankenweenie]. That is wonderful.”

He admits to feeling invigorated with current successes of Beetlejuice Beetlejuice and the Netflix sequence Wednesday, of which he directed 4 episodes.

“The Hollywood journey is an Alice in Wonderland type of journey. You go up, you go down, you go sideways. That is the best way it’s,” he mentioned.

“What I notice now, perhaps as a result of I am older as properly, is OK I am simply gonna do what I need. And if you wish to do it, wonderful. If not, then you do not have to go on this journey with me”.

Greater than 32,000 individuals purchased advance tickets to The World of Tim Burton, making this the most important ever ticket pre-sale within the Design Museum’s 35-year historical past.

The exhibition has been staged in 14 cities in 11 international locations since 2014. However the London model shows greater than 90 objects which are new.

Guests may even be capable to see a recreation of Burton’s non-public studio which features a miniature model of Godzilla on his work desk, reflecting his love of Japanese Kaiju movies.

However Burton had initially resisted permitting the exhibition to come back to London.

“It’s a wierd factor, to place 50 years of artwork and your life on view for everybody to see,” he mentioned.

“Nonetheless, collaborating with the Design Museum for this remaining cease was the proper alternative. They perceive the artwork”.

Tim Marlow, CEO of the Design Museum, mentioned: “Throughout his extraordinary profession, Tim Burton has harnessed a compelling combination of gothic horror and black comedy, of melancholy and enchantment, of oddball whimsy and visionary vary within the creation of fantastical filmic worlds.”

Nonetheless when discussing his success, Burton tells us that he rejects the time period “Burtonesque” despite the fact that it is broadly utilized in in style tradition to explain his oeuvre.

“I by no means appreciated that,” he says firmly. “I do not wish to turn out to be a factor. It is taken me my entire life to attempt to be one thing like resembling human”.

The World of Tim Burton runs from 25 October 2024 – 21 April 2025 on the Design Museum in London.