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Back To Black hopes to remind audiences that Amy Winehouse was a talent not just a tragedy
![Back To Black hopes to remind audiences that Amy Winehouse was a talent not just a tragedy](https://newsatlantic.com/wp-content/uploads/2024/04/1712701696_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
Watch: How Again To Black makes an attempt to reclaim Amy Winehouse’s legacy
Director Sam Taylor-Johnson hopes her Amy Winehouse biopic Again to Black will “give [the singer] her energy again”.
The Nowhere Boy and Fifty Shades of Gray director tells Yahoo UK: “The tragedy and the sense of her being a sufferer was beginning to overshadow who she was.”
Lauded singer and songwriter Amy Winehouse died of alcohol poisoning in 2011 on the age of 27. Her father Mitch Winehouse has subsequently been forged because the villain within the media, blamed for enjoying a key function in her downward spiral.
Mitch publicly denounced Asif Kapadiaâs 2015 documentary, Amy, telling The Guardian that the filmmakers had been attempting to painting him “within the worst attainable gentle”. However Mitch Winehouse has endorsed Again to Black, which exhibits his good jazz-obsessed daughter because the centre of her story, a tortured genius for whom occasions conspired to tragically minimize quick her life.
![LONDON - FEBRUARY 10: British singer Amy Winehouse sits with her father Mitch as they await news of her Grammy Award at The Riverside Studios for the 50th Grammy Awards ceremony on February 10, 2008 in London, England. Winehouse won 5 out of her 6 nominations including, record of the year, best new artist, song of the year, pop vocal album and female pop vocal performance. (Photo by Peter Macdiarmid/Getty Images for NARAS)](https://newsatlantic.com/wp-content/uploads/2024/04/Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
“It was about time {that a} film about Amy was from her viewpoint to reclaim that legacy as a musical artist,” says Again to Black producer Alison Owen.
“To my thoughts, Amy is the best musical expertise of the twenty first century to date however her musical expertise was in peril of being eclipsed by the tragedy of her demise… what we needed to do was to refocus on the music and let all people be reminded of the triumph and that incredible expertise.
“It was changing into entrenched in common tradition, that tragic picture of her, and we needed to eliminate that and punch the music by way of.”
Amy is the best musical expertise of the twenty first century to dateAlison Owens, Again To Black producer
Consequently, any ‘villains’ within the movie are notably sidelined. Whereas itâs attainable to see that the individuals surrounding Amy made errors â and that features one other man in her life, former husband Blake Fielder-Civil, performed by Jack OâConnell within the movie â theyâre seen as flawed, blind, typically even naive, relatively than malicious or calculatingly self-serving.
“It isnât a movie that makes Mitch or Blake the villain nevertheless it doesnât sanitise them,” says Eddie Marsan, who performs Mitch Winehouse. “It exhibits the errors they made. However as a result of itâs shot from Amyâs perspective, you possibly can see why she fell in love with Blake, and you may see why she liked her dad, and I feel that honours Amy greater than a binary narrative.”
![Marisa Abela (Amy Winehouse) and Eddie Marsan (Mitch Winehouse) in Back To Black. (Studiocanal)](https://newsatlantic.com/wp-content/uploads/2024/04/1712701695_132_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
![Marisa Abela (Amy Winehouse) and Eddie Marsan (Mitch Winehouse) in Back To Black. (Studiocanal)](https://newsatlantic.com/wp-content/uploads/2024/04/1712701695_132_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
So why can we like to play the blame sport in conditions like Amyâs? Marsan speculates. “When somebody like Amy dies so younger, [someone] whoâs touched our lives in such a profound manner… thereâs a collective trauma.”
It isnât a movie that makes Mitch or Blake the villain, nevertheless it doesnât sanitise themEddie Marsan, who performs Mitch Winehouse in Again To Black
“One of many methods you cope with trauma is you create a story to make sense of it. And a cushty narrative for that sort of trauma is there should be somebody accountable â as a result of if my daughter doesnât marry somebody like Blake, or if I donât behave the best way they are saying Mitch behaves, this gainedât occur to me. This gainedât occur to my household. And thatâs reassuring.”
![INDIO, CA - APRIL 27: Singer Amy Winehouse kisses fiance Blake Fielder-Civil during day 1 of the Coachella Music Festival held at the Empire Polo Field on April 27, 2007 in Indio, California. (Photo by Michael Buckner/Getty Images)](https://newsatlantic.com/wp-content/uploads/2024/04/1712701695_907_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
![INDIO, CA - APRIL 27: Singer Amy Winehouse kisses fiance Blake Fielder-Civil during day 1 of the Coachella Music Festival held at the Empire Polo Field on April 27, 2007 in Indio, California. (Photo by Michael Buckner/Getty Images)](https://newsatlantic.com/wp-content/uploads/2024/04/1712701695_907_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
However, says Marsan, thatâs not how habit works. “Dependancy is random, itâs arbitrary, itâs chaotic, itâs merciless. All of us went to highschool with youngsters who’ve gone on to college and had good lives and have gotten a brother or sister who’s died of habit.
“Everyone knows these tales. And so they have loving dad and mom. In order thatâs not how habit works. What I really like about this movie is that habit is the villain. Dependancy and the paparazzi.”
Author Matt Greenhalgh, who additionally penned the screenplays to acclaimed music biopics Nowhere Boy, concerning the younger John Lennon, and Management, about Pleasure Division frontman Ian Curtis, says, “To the perfect of our capability, we simply didnât need to heap any extra ache on the household.”
Dependancy is random, itâs arbitrary, itâs chaotic, itâs mercilessEddie Marsan, who performs Mitch Winehouse in Again To Black
It was essential to all concerned that each Mitch and Amyâs mom Janis gave their blessing for the movie to be made. However given Mitchâs endorsement, how concerned was he precisely?
“He was as concerned as some other family members in that we clearly needed to speak to Mitch and Janis and get their recollections,” says Alison Owen. “However they didnât have any proper of approval both legally or contractually.
“Itâs simply human, and courteous, to need to get all people pleased with the concept and I feel they felt that we had everybodyâs greatest pursuits at coronary heart, we had been passionate Amy followers, and we had been the correct individuals to do it.”
Watch a trailer for Again To Black
Taylor-Johnson says it wasnât essential for Mitch or Janis to be on board to get Again to Black made, for the reason that music rights had been already in place, nevertheless it was essential to point out respect to Amyâs household.
“I used to be making a movie about their daughter in any case,” says Taylor-Johnson. “I went to fulfill with Mitch, and Janis, and I spent a little bit of time listening to tales after which invited them each to return to set on one of many days of filming. But it surely was actually essential to me that I might make the movie creatively I needed to make with out anybodyâs involvement â even the studio. I simply was like, âNo, that is the movie Iâm making so Iâm going to zone everybody out.â
“That was so essential for me as a part of the inventive course of as a result of the minute you begin listening to voices it actually impacts the way you shoot characters or see scenes. So I needed to simply be fairly agency with everybody [and let them know] âIâm making this movie.â”
![Marisa Abela and Sam Taylor-Johnson on the set of Back To Black. (Studiocanal)](https://newsatlantic.com/wp-content/uploads/2024/04/1712701695_822_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
![Marisa Abela and Sam Taylor-Johnson on the set of Back To Black. (Studiocanal)](https://newsatlantic.com/wp-content/uploads/2024/04/1712701695_822_Back-To-Black-hopes-to-remind-audiences-that-Amy-Winehouse.jpeg)
Marsan discovered Mitchâs involvement endlessly useful. He was capable of grill him at size (“I used to be a ache within the arse,” he jokes) about his childhood, his grandparents, his great-grandparents, and extra â even asking him for images of his faculty, and past that, details about his favorite restaurant and the place the native cinema was.
“He even gave me a playlist of the music that he grew up with, and I acquired him to report Fly Me to the Moon for me as a result of I needed to emulate his voice for the movie. To be trustworthy with you, Iâm extra of a researcher than an actor,” says Marsan.
“He was so beneficiant. And he was very, very self-aware, and really candid and really trustworthy. He would not need this movie to sanitise him. He would not need that. He doesnât need that as a result of it doesnât serve Amy within the slightest. But it surely doesnât demonise him both.”
[Mitch] would not need this movie to sanitise himEddie Marsan, who performs Mitch Winehouse in Again To Black
Marsan is most proud about the truth that Again to Black shouldn’t be solely a celebration of Amy nevertheless itâs additionally a movie that fosters sympathy for these with habit points.
“Thereâs a motive why restoration programmes like Alcoholics Nameless and Narcotics Nameless have the nameless half,â says Marsan. â[Itâs] since you want anonymity and privateness to get well. And Amy was by no means afforded that.
“She was hounded by the paparazzi and humiliated and mocked throughout her habit ⊠I hope [this film] will make individuals extra compassionate to individuals who undergo from habit, and their households. Thatâs what I hope.”
Again to Black is in UK cinemas on 12 April.
Learn extra on Again To Black
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