Just a few years in the past you possibly can barely transfer for pulpy mysteries about privileged communities with skeletons of their closets, a pattern set off by David E Kelly’s adaptation of Liane Moriarty’s hit novel Huge Little Lies. However simply once I thought the wealthy child crime drama style had had its day, one other wave has arrived.

With one other Nicole Kidman automobile, The Excellent Couple, dominating the Netflix charts, and now the arrival of the equally star-stuffed Apples By no means Fall on BBC iPlayer, it’s feeling like 2017 once more. The latter drama, nonetheless, appears like a poor imitation – a trope-laden pastiche of an already soapy style. It’ll sate anybody wanting their newest repair of waspy households and their scandalous secrets and techniques, however has little unique to supply.

Apples By no means Fall can also be a Moriarty story – certainly not her finest cherished and definitely her most clunkily titled. Led by Annette Bening and Sam Neill, the present claims Huge Little Lies as an apparent level of reference, however with its hazy hues and elitist characters, it’s clearly making an attempt to invoke The White Lotus too.

Because the sequence greets us with a washed-out color palette, palm bushes and a wailing voice, it’s arduous not to consider Mike White’s wealth satire in regards to the extremely strung friends at luxurious resorts. As compared with The White Lotus, nonetheless, the one comedy right here comes from the clunkiness of the dialogue, and it’s not intentional.

We’re welcomed into the elite neighborhood of West Palm Seaside in Florida, and the Delaney Tennis Academy. Matriarch Pleasure Delaney (Bening) cycles by way of city, passing by the showy mansions and deep blue swimming pools earlier than stopping to buy an apple. The following second, her bike is strewn on the street, its wheel nonetheless spinning. Pleasure is nowhere to be seen, however there’s blood on the bottom – and apples too. Speak about on the nostril.

The following day, Pleasure’s kids, every with a superbly all-American title – Amy (Alison Brie), Troy (Jake Lacy), Logan (Conor Merrigan Turner) and Brooke (Essie Randles) – are sat at lunch, worrying about their mom, who has gone lacking post-bike accident.

Their dialogue is thickly laden with exposition, as they admit that they’ve “all form of been assholes currently” and trace that the youngsters don’t totally belief their dad, Stan (Neill).

Additionally like The White Lotus – a sequence that begins with a homicide earlier than going again in time to the start of the week – the motion then flashes backwards to an unspecified interval earlier than Pleasure went lacking.

It’s the eve of her and Stan’s retirement from their common youngsters’ tennis academy. The Delaney siblings smile in public, however behind closed doorways their dinners are tense. Aggression is taken out on one another – and their curmudgeonly father – on the tennis courtroom, as Stan prods his youngsters and tells them that they’re “going smooth”.

All through the sequence, the drama ricochets between these two timelines. However with little visible differentiation between the 2 threads, it’s extraordinarily arduous to determine whether or not the motion we’re seeing is happening prior to now or current. There are twists and turns, certain, however all of them really feel exceptionally by-product and predictable.

The tropes come thick and quick, and except for Bening, who in some way brings nuance to the flustered middle-aged mom archetype, the remainder of the solid telephone it in. We’ve seen Brie, Neill and Lacy play these roles earlier than – Lacy in The White Lotus, after all.

The 2 comparatively unknown actors enjoying the youthful Delaney siblings, Turner and Randles, do a greater job, however maybe solely as a result of they haven’t made this actual sequence earlier than. The arrival of Savannah (Georgia Flood), a mysterious lady who reveals up on the mother and father’ door coated in blood, brings an attention-grabbing outsider into the fold. In the long run, nonetheless, Savannah finally ends up being probably the most half-drawn character of the lot.

There’s little that stands out to me about Apples By no means Fall which, I think, is kind of the purpose. It is a programme designed to fill the area left by Huge Little Lies and the copycats that adopted. Apples By no means Fall didn’t must reinvent the crime drama wheel to be watchable, however given its revered pedigree, I anticipated it to a minimum of attempt.

‘Apples By no means Fall’ is on BBC One tonight at 9.25pm. The total sequence is streaming on BBC iPlayer