Joan review: Sophie Turner’s jewel thief drama feels more like a stroll round H Samuel

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ITV’s new drama about infamous Nineteen Eighties jewel thief Joan Hannington has been closely trailed as one of many small display screen highlights of the autumn. There are causes for pleasure: Sport of Thrones star Sophie Turner takes the lead position, her first since true crime thriller The Staircase in 2022. There’s an excellent Eighties soundtrack, spanning Smooth Cell to “Membership Tropicana”. And there are oh so many fabulous, flammable-looking wigs, to not point out all of the shimmering diamonds. So why does it typically really feel as middle-of-the-road as a Sunday morning stroll round H Samuel?

The opening moments inform us that Joan is a trickster, however one who has weathered trauma: she sits in a swanky lodge in her bra, glamming herself up, her again coated in scars. Peering at a jewelry field chock-full of rolled-up banknotes, she solutions the cellphone in an aesthetic American accent, then drops a glittery gem on the ground. “F***’s sake, the place did that go?” Joan mutters, instantly revealing herself to be unaffectedly cockney. It’s an introductory mise-en-scene that implies twists and turns, however Joan shortly settles into one thing much less stunning and extra cleaning soap opera-ish.

From right here, the timeline skips again to Joan at her pokey flat on the Kent coast, taking care of her daughter Kelly whereas her deadbeat legal husband Gary behaves erratically. One minute he’s turning up in a sports activities automotive with presents corresponding to a elaborate fur coat, the subsequent he’s gone awol and Joan has shifty blokes turning up at her home in the midst of the evening asking the place he’s. (Numerous scenes are VERY darkish, and by that I actually simply imply the lighting.) Shortly Joan realises she must make a splash for it, with Gary’s dodgy dealings endangering her and their daughter: she drops Kelly off at social companies – a system that performed a big half in her personal childhood – and heads to London to attempt to discover a job and elsewhere to stay.

Quickly she’s discovered a gig at a jeweller’s, the place her sleazy boss may be very eager to do a “inventory take” in a room with no cameras. As an alternative, this turns into the scene of Joan’s first act of thievery: she gollops a bunch of pricy jewels, earlier than later heading to the women with a crystal bowl filled with gin prepared to sterilise them. You’ll by no means take a look at Bombay Sapphire the identical method once more. Within the interval during which she’s ready for nature to do its course, Joan meets Boise (Frank Dillane), an antiques seller with a facet gig in stealing: he takes a shine to her and recruits her as a sidekick.

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The staff behind the drama – it’s written by creator Anna Symon and Helen Black, and directed by Richard Laxton – have already made it clear in interviews that they felt an obligation to the real-life Hannington in telling her story. And the present does have good intentions. By displaying Joan’s love for her daughter to be her central motivation, the drama factors to a basic desperation beneath her legal actions. It additionally underlines how it’s the disagreeable males round her – from the abusive husband to the pervy boss – who push her additional into taking issues into her personal fingers, in the one method that appears out there to her.

However there’s a pedestrian tone to the script that makes this all much less compelling than it ought to be. “What do you need, Joan?” one cipher-like male character asks her. “You’ve bought some balls, gewl,” Boise declares. Turner brings heat to the primary position, and a poignancy to Joan’s devotion to her daughter, however it’s additionally a curiously humourless efficiency. The star is unable to find the magnetism that might make the position really memorable.

Solely the primary two episodes had been out there to reviewers, however from a fast Google it’s clear that Hannington’s life didn’t get any simpler or much less dramatic. She is clearly an enchanting determine, with the sort of life that makes a TV commissioner’s eyes gentle up. It’s a disgrace, then, that the nuances of her story typically really feel misplaced right here, with a portrait that falls between “sufferer” and “woman boss” with out the gritty gray areas in between. It may have been 10 carat, however the result’s one thing extra cubic zirconia.

‘Joan’ is on ITV1 and ITVX

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