Taylor Swift’s newest album has been out for lower than a day – however followers and critics alike are already deep into decoding the which means of her considerably cryptic lyrics.

The pop icon’s mammoth mission, The Tortured Poets Division, ended up being a secret double album, with the primary half ending on a monitor merely titled Clara Bow.

Except you are one thing of a Hollywood historical past buff, the reference might have been misplaced on you.

So this is what that you must learn about Bow and extra on how Swift referenced her and the attainable the explanation why.

The unique ‘it lady’

American actress Clara Bow was one of the crucial profitable movie stars of the silent period and have become the unique “it lady” after starring within the 1927 hit movie, It.

And though her career does not match Swift’s, there are clear parallels with regards to the trajectory of her profession and among the consideration that adopted.

Born in 1905, Bow grew to become accustomed to extraordinary fame as a younger girl and as a consequence, her romantic life was thrust into the general public eye.

Learn extra:
Breaking down The Tortured Poets Division
The hidden meanings and the folks Swift seems to reference

She was frequently linked to a lot of high-profile males and was typically a supply of gossip and hypothesis for the general public.

Maybe this, together with the actress having a tough time adjusting to being thought of a intercourse image, are the place the similarities finish.

It was rumoured Bow’s profession plummeted as a result of her harsh Brooklyn accent wasn’t fascinating for speaking movies.

Nevertheless, Swift has been dominating her discipline since she was an adolescent, and the now 34-year-old’s profession exhibits no indicators of stagnating in any way.

Bow, based on stories from the Nineteen Forties, later tried to take her personal life and was despatched to an asylum.

The actress died after having a coronary heart assault on the age of 60 in 1965, based on The New York Occasions.

What may the track imply?

It begins with the next verse:

You seem like Clara Bow on this mild… outstanding

All of your life, do you know

You would be picked like a rose?

And the track ends with the same verse, solely this time, Bow’s identify is changed by her personal:

You seem like Taylor Swift on this mild

We’re loving it

You’ve got received edge she by no means did

The longer term’s vivid… dazzling.

All songs, after all, are all the way down to interpretation. But it surely’s actually attention-grabbing to see Swift take the identify of the “it lady” of just about 100 years in the past and, by the tip of the track, change it along with her personal.

Bow’s trade finally pressured her to go the mantle on, and it appears Swift is underneath no illusions that, at some stage (although it appears somewhat far off), she’ll be pressured to do the identical – and her successor might even have “the sting she by no means did”.

Our arts and leisure reporter Bethany Minelle provides us her tackle Swift’s lyrics:

“She provides us a self-referring dig which touches on each the fickleness of the music trade and pokes enjoyable at her personal ever-inflating success.

“We hear a younger wannabe praised by ‘fits in LA,’ telling her: ‘You seem like Taylor Swift on this mild, we’re loving it. You’ve got received edge she by no means did.’

“At all times trying forward, to her subsequent period, maybe when her ‘girlish glow glints’, a now 30-something Swift is at all times one step forward of the trade she’s at present dominating.

“As she tells us: ‘The longer term’s vivid… Dazzling’.”

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Pfft! And similar to that, the supposed Greatest League In The World has exactly zero groups left within the Champions League.

Okay, so it took all of the defensive effort Carlo Ancelotti and his arched eyebrow may drag from his Actual Madrid facet to cease Metropolis from progressing to a different semi-final, however Arsenal, please, you bought manhandled by the ex-Spurs All Stars?

A minimum of it means Tottenham will in all probability miss out on the Champions League subsequent season, so each cloud…

Anyway, nobody must care about any continental kickabouts this weekend as a result of there’s loads of homegrown, best-of-British (ahem, choc-a-bloc with the best skills from around the globe) Premier League and FA Cup motion lined up – and we’ve acquired a belting boosted value  for it solely out there to our subscribers.

That’s as a result of we’re climbing the worth on one Gooner to take his Champions League frustrations out on some unsuspecting Wolves this weekend.

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Between Kendrick Lamar, Drake and even J. Cole, rap followers have been devouring their favourite flavors of beef all month lengthy. However now, pop followers suppose Taylor Swift is serving up her personal heaping serving to of piping sizzling battle along with her previous rival, Kim Kardashian.

With the shock, 2 a.m. launch of The Tortured Poets Division: The Anthology, a whole, double-album model of the Swift’s lengthy awaited eleventh studio album, followers appear to suppose that her tune “Thank You Aimee” is aimed on the actuality star she’s been feuding with since 2016.

For starters, followers pointed to the unusual capitalization of the tune’s title throughout all streaming companies. Billed as “thanK you aIMee,” Swifties clocked that the three capitalized letters within the title spell out “KIM.”

That development continued when the Taylor Nation X account tweeted the chorus’ lyrics “Screamed, ‘f–Ok you aIMee’ to the evening sky,” alongside a GIF of Swift performing through the Fame portion of her Eras Tour set. Not solely did followers latch onto the continued spelling of “KIM” by way of capitalized letters, however in addition they glommed onto the truth that Fame was impressed, partly, by Swift’s ongoing feud with Kardashian and her then-husband Ye (previously referred to as Kanye West).

Followers additionally pointed to a lot of the excoriating lyrics all through the tune, which sees Swift apparently reminiscing on a high-school bully (the titular Aimee) and the affect she had on the pop star’s life. With the opening line, “Once I image my hometown/ There’s a bronze spray-tanned statue of you,” Swifties rapidly pointed out the usage of the phrases “spray-tanned,” doubtlessly referencing Kardashian’s well-known tan.

Within the tune’s third verse, Swift sings that she “wrote a thousand songs that you just discover uncool,” and “constructed a legacy which you’ll’t undo,” whereas including that “there wouldn’t be this, if there hadn’t been you.” Followers theorized that the lyric referenced the notorious leaked cellphone name and subsequent snake emoji tweet that Kardashian shared in 2016, cases that followers imagine deeply influenced Swift’s writing on Fame.

Maybe probably the most talked-about lyric on “Thank You Aimee” comes through the bridge, when Swift goes after her bully’s lack of improvement. “I don’t suppose you’ve modified a lot. And so I modified your title, and any actual defining clues,” she sings, with followers pointing on the obfuscated title all through the tune’s lyrics. Swifties then pointed to a video of Kardashian and her daughter North West dancing to Swift’s “Shake It Off” as proof for the bridge’s closing lyric: “And in the future, your child comes residence singin’/ A tune that solely us two is gonna know is about you.”

Swift final spoke about her feud with each Kardashian and Ye throughout her wide-ranging interview as TIME’s Individual of the 12 months in December 2023. “You might have a completely manufactured body job, in an illegally recorded cellphone name, which Kim Kardashian edited after which put out to say to everybody that I used to be a liar,” Swift mentioned through the interview. “That took me down psychologically to a spot I’ve by no means been earlier than. I moved to a overseas nation. I didn’t go away a rental home for a yr. I used to be afraid to get on cellphone calls. I pushed away most individuals in my life as a result of I didn’t belief anybody anymore. I went down actually, actually laborious.”

Take heed to “Thank You Aimee” and see just some fan reactions to the brand new observe under:

Is there a recent Hollywood film-maker who higher epitomizes the trendy commerce-v-art quagmire than Zack Snyder? Snyder has an immediately recognizable fashion and a deathless dedication to his singular imaginative and prescient; he additionally, on the behest of assorted studios, volunteers to assume virtually completely when it comes to franchises, comedian books and self-conscious myth-making – whether or not he’s making an attempt to interrogate these myths or simply construct them up so he can smash them down with most mayhem.

Insurgent Moon, his sci-fi/fantasy franchise for Netflix, pulls either side of his profession to additional extremes. It’s a multimillion-dollar two-parter (for now) that’s technically authentic and extremely spinoff, with Snyder’s fanboy obsessions taken up to now across the bend that they change into area of interest once more. Even his hordes of on-line followers don’t appear to care that a lot about it. Insurgent Moon – Half 2: The Scargiver, following final yr’s A Little one of Hearth kickoff, is meant to be an explosive finale. However with expanded R-rated cuts of each films undoubtedly on the best way, and concepts rattling round in Snyder’s mind for much more sequels, the entire mission appears like one lengthy, unending center.

And but: possibly this unintended center floor is strictly what Snyder wants. Structurally, The Scargiver is nobody’s thought of a correct stand-alone film, or perhaps a regular sequel. The primary movie adopted the recruitment efforts of Kora (Sofia Boutella), an ex-soldier whose idyllic life on the standard farming moon Veldt is interrupted by Imperial – er, Imperium forces demanding all of their crops. Kora and Gunnar (Michiel Huisman) got down to discover warriors keen to assist defend Veldt; by making his failed Star Wars pitch with out Lucasfilm, Snyder minimize out the intermediary on his Seven Samurai ripoff.

Although A Little one of Hearth ended by kinda-sorta killing off predominant Imperium dangerous man Atticus Noble (Ed Skrein) in a pre-emptive skirmish, he was rapidly revived, in order that The Scargiver can principally operate as Climactic Battle: The Film. Kora and Gunnar, together with their recruits Nemesis (Doona Bae), Titus (Djimon Hounsou) and Tarak (Staz Nair), return to Veldt and rally the residents to defend themselves towards Noble and the Imperium forces. That’s just about the entire film.

This implies virtually all of The Scargiver is ready on and above Veldt, a disappointing change from the gleeful planet-hopping of the primary movie. Right here, as a substitute of assorted sequences of nabbing warriors from numerous Star Wars-y worlds, there’s a single prolonged scene the place the soldiers commerce backstory secrets and techniques, that includes some flashbacks that go off-world, plus an extended one revealing extra about Kora’s checkered previous. That’s all a part of the protracted calm earlier than the laser-blasting storm; throughout this early part, Snyder additionally features a farming montage as solely the director of 300 may. When these rebels reap their harvest of grain, they reap exhausting.

The comparably quieter moments all lead into an prolonged battle sequence that fuses last-stand westerns with a cartoon model of first world struggle trench warfare, and brings to thoughts overloaded early-2000s digital-cinema spectacles like Assault of the Clones or The Matrix Revolutions. (If that makes you shudder, subtract one star from this evaluation’s ranking. For those who couldn’t stand A Little one of Hearth, would possibly as properly subtract two or three.) Snyder favors barrages over set items, and character design (which is commonly pleasant) over character growth (which is usually minimal); the nuances of human relationships elude him. He even has bother with human-robot relationships; Jimmy, the mechanical man voiced by Anthony Hopkins, remains to be lurking round grappling together with his sense of self. This leaves Boutella, a muscular and sleek presence, to promote Kora’s regrets, dedication and self-lacerating fury with the sort of bodily expressiveness that might be equally at residence in silent films and fantastical motion-capture.

Fortunate as Snyder is to have her, the entire film doesn’t relaxation on Boutella. There’s additionally a deranged zeal to Snyder’s muchness. If he’s going to bust out the sort of floating/falling big airship over-favored by Kevin Feige in half a dozen Marvel films, at the least he levels a terrific sliding-objects struggle through the fall. If he’s going to knock off his personal variations of lightsabers, they’re going to look sharper and deadlier. If he’s going to make the most of his latest favourite directorial occasion trick – focus so shallow that solely a minority of any given picture appears sharp at a time – he’s going to do it with the utmost dedication, even when it’s nonsensical (as in establishing photographs).

Insurgent Moon virtually actually didn’t have to be two multiple-cut films. It in all probability may have gotten by as zero. However as a playground for Snyder’s favourite bits of speed-ramping, shallow-focusing and pulp thievery, it’s innocent, typically pleasingly bizarre enjoyable. (That stated, the primary half is best and weirder.) The massive-scale pointlessness feels extra soothing than his previous insistence on making an attempt to translate Watchmen right into a big-screen epic, or make Superman right into a tortured soul. Even Insurgent Moon’s shameless makes an attempt at serialization – The Scargiver basically ends with one other prolonged sequel tease, this time for a film that stands a good likelihood of by no means occurring – really feel releasing, as a result of they excuse Snyder from the uncomfortable enterprise of staging an apocalyptic showdown, or, worse, imparting a mournful philosophy. The entire bludgeoning enterprise is so daftly honest, you would virtually name it candy.

Certainly one of Zack Snyder’s favourite movies is John Boorman’s 1981 medieval masterpiece ‘Excalibur,” a retelling of the legend of King Arthur and his Knights of the Spherical Desk tailored from Sir Thomas Malory’s fifteenth century work, “Le Morte d’Arthur.” 

Snyder even inserted this movie’s title on the marquee of the movie show from which younger Bruce Wayne and his dad and mom exit previous to that fateful second in Crime Alley in “Batman v Superman: Daybreak of Justice.”

After my first fulfilling viewing of “Insurgent Moon — Half Two: The Scargiver,” a scene from “Excalibur’s” ending instantly got here to thoughts. The nice Nigel Terry, taking part in a world-weary King Arthur, sips from the holy grail supplied to him by his quest knight, Perceval. Immediately revived and invigorated, he declares, “I didn’t know the way empty was my soul, till it was crammed.” And the irony struck me, like a pointy blow from a magical sword, that Snyder’s ardour undertaking, which started as a failed “Star Wars” pitch, turns into an emblem of what followers have yearned for within the “Star Wars” realm.

Associated: Every part we learn about ‘Insurgent Moon — Half Two: The Scargiver’

Working from a screenplay by Zack Snyder, Kurt Johnstad, and Shay Hatten, “Insurgent Moon — Half Two: The Scargiver” picks up someday after the Battle of Gondival. It continues “the epic saga of Kora and the surviving warriors as they put together to sacrifice all the things, preventing alongside the courageous folks of Veldt, to defend a as soon as peaceable village, a newfound homeland for many who have misplaced their very own within the struggle towards the Motherworld,” in keeping with the official description. 

“On the eve of their battle, the soldiers should face the truths of their very own pasts, every revealing why they struggle. As the complete pressure of the Realm bears down on the burgeoning revolt, unbreakable bonds are solid, heroes emerge, and legends are made.”

Positive, it is a easy sufficient premise upon cursory examination, born from a verisimilitude of storylines repeated over the a long time in literature, movie, and TV. The obvious affect is director Akira Kurosawa’s “Seven Samurai” with its honorable warriors recruited to assist defend a humble village, however “Insurgent Moon’s” DNA can also be rooted within the longstanding custom of traditional Hollywood westerns with settlers defending their crops, cattle and funky water from grasping intruders.

However to promote “Insurgent Moon” off as simply one other “Star Wars” knockoff of acquainted “Hero’s Journey” fare is to disregard the suave presentation and technical prowess on show in “Half Two: The Scargiver.” Take a better look into Snyder’s magician’s hat and you will uncover a wealth of filmmaking methods and visionary prestidigitation that may wring a smile out of even probably the most callous critics.

The performances listed below are totally invested, particularly Sofia Boutella’s Kora and Michiel Huisman’s Gunnar. Ed Skrein gnaws on the surroundings in a fancy portrayal of the first villain, the treacherous Imperium enforcer Admiral Noble, and the showdown buildup lets itself cool down barely to supply up some tender interludes and sudden emotion. We’re additionally given way more of the haggard conflict robotic Jimmy, which options Sir Anthony Hopkins’ heartfelt vocal work. 

Backstories are fleshed out simply sufficient to keep away from tedium, and the movie supplies strong moments with Doona Bae’s Nemesis, Star Nair’s Tarak, and Djimon Hounsou’s Normal Titus earlier than we’re thrust right into a continuous avalanche of fantastically choreographed battlezone scenes that satiate the senses.

Associated: Watch rockin’ new trailer for Zack Snyder’s ‘Insurgent Moon Half Two: The Scargiver’ (video)

Since each halves of “Insurgent Moon” have been filmed concurrently, it isn’t honest to match one section to a different, however since Snyder satisfied Netflix to permit it, that is what we have been given to debate. I used to be admittedly a bit harsh in my preliminary evaluation of “Half One: A Little one of Fireplace” again in December; I wasn’t ready for its chilly tone of brutality. Maybe it was all the vacation cheer, eggnog, and jingle bells that distracted me when it arrived a number of days earlier than Christmas, however upon a latest second screening proper earlier than watching “Half Two,” I observed the delicate nuances of shade, the interaction of sunshine, very good shot framing and Tom Holkenborg’s dish-rattling rating.

With out burdening readers with a scene-by-scene recounting of “The Scargiver,” I can provide some sweeping impressions of the visible splendor on show, with its compositional nods to artists Boris Vallejo and Frank Frazetta and the sci-fi fantasy journal “Heavy Metallic.” The place fashionable style movies might need dwelling people behind the scenes, few current the kind of private bravado and mastery of craft seen within the vibrant core of Snyder’s sequel. That is Snyder at his absolute best, unrestrained but totally targeted in his filmmaking surroundings with a crystalline motivation to entertain with an old school story of excellent versus evil in a far-off galaxy.

In between the balletic orgy of full-throttle sci-fi fight throughout the Battle of Veldt, which spans almost the complete remaining hour, freeze-frame on any second and also you may end up transported to a pop-up gallery of Previous Masters work. Sift by way of waves of acrid smoke and linger on a beam of coherent mild deflecting off the floor of a stream. Watch splatters of molten orange slag glitter as fiery blades conflict. Warmth haze and black fumes billow from armored assault ships. Cinema verite-style monitoring pictures within the trenches intercut with crawling spider tanks erupting in blooms of purging purple hearth, and Jimmy going scorched Earth in a second of revelation!

It is all heady stuff, and to witness Snyder working in pedal-to-the-metal madman mode inside his true component is definitely a spectacle to behold. It won’t be perfection, however “Insurgent Moon — Half Two: The Scargiver” delivers the jumbo-sized field of Cracker Jack, filled with a bonanza of additional peanuts!

Mandisa, the Grammy-winning Christian singer who started her profession on “American Idol,” was discovered useless in her Nashville residence on Thursday. She was 47.

“We are able to verify that yesterday Mandisa was present in her residence deceased,” her consultant confirmed to native outlet The Tennessean. “Presently we have no idea the reason for loss of life or any additional particulars. We ask to your prayers for her household and close-knit circle of mates throughout this extremely tough time.”

The Christian radio community Okay-Love additionally honored the gospel and modern Christian singer.

“Mandisa beloved Jesus, and she or he used her unusually in depth platform to speak about Him at each flip,” wrote David Pierce, chief media officer of Okay-Love. “Her kindness was epic, her smile electrical, her voice huge, nevertheless it was no match for the scale of her coronary heart. Mandisa struggled, and she or he was susceptible sufficient to share that with us, which helped us discuss our personal struggles. Mandisa’s struggles are over, she is with the God she sang about now. Whereas we’re saddened, Mandisa is residence. We’re praying for Mandisa’s household and mates and ask you to affix us.”

Born Mandisa Lynn Hundley, the singer auditioned for Season 5 of “American Idol” in 2005 and have become a favourite on the present when it aired a yr later. She superior to the highest 9 contestants earlier than being eradicated. Throughout her run, she sang hits like “I’m Each Girl,” “I Don’t Harm Anymore,” “Don’t You Fear ‘Bout a Factor,” “Any Man of Mine,” “Shackles (Reward You)” and extra.

After her “American Idol” breakthrough, Mandisa launched her first album, “True Magnificence,” in 2007. It debuted on the high of Billboard’s Christian album chart, a primary for a feminine artist, and at No. 43 on the Billboard 200. Her first single off the album, “Solely the World,” debuted at No. 2 on the new singles chart and reached No. 1 in its second week.

Her different albums included “It’s Christmas” (2008), “Freedom” (2009), “What if We Have been Actual” (2011), “Overcomer” (2013), “Out of the Darkish” (2017) and a biggest hits album in 2020. She obtained Grammy nominations for finest pop/modern gospel album for “True Magnificence” and “Freedom” and for modern Christian music album with “What if We Have been Actual.” Her win lastly got here when “Overcomer” earned a trophy for modern Christian album, plus a further nom for gospel/modern Christian efficiency for the title observe.

Mandisa was one among simply 5 “American Idol” alumi to win a Grammy, together with Kelly Clarkson, Carrie Underwood, Jennifer Hudson and Tori Kelly.

AGS Formule 1, which now runs a driving faculty and expertise occasions, has launched the F1 ’90s Time Assault Mediterranean Problem for F1 vehicles constructed between 1986 and 2000 and 1985-2000 Method 3000 equipment.

4 rounds are deliberate, beginning this weekend on the Historic French Grand Prix at Paul Ricard.

The entry for Ricard consists of two AGS chassis, a 1989 JH24 and a 1991 JH25, pushed respectively by Le Mans 24 Hours winner Eric Helary and former British Method Ford frontrunner Geoffroy Horion.

Ex-F3000 and IndyCar racer Laurent Redon, whose LRS organisation runs F1 driving experiences, will participate in a Jordan 197.

Later equipment within the 11-car discipline features a pair of Prost AP02s and an Arrows A20, all of 1999 classic.

Invitational entries embrace a number of BOSS GP champion Klaas Zwart in a Jaguar R5 from 2004 and a 2005 Dallara T05 Method-Renault 3.5 one-make racer.

A rarity within the discipline is a 1989 Rial ARC2 3.5-litre F1 automotive.

The entry for the Time Assault contest will develop for subsequent occasions, AGS occasions supervisor Cedric Laurent instructed Autosport.

He defined {that a} minimal of 16 vehicles are anticipated for spherical two on the Charade circuit in France in July and as many as 20 for the finale in November on the Morocco Historic GP on the Circuit Sidi Daoui, which might be co-organised by AGS.

“We solely introduced our sequence in February at Retromobile in Paris [the classic car show], so time was quick and a few vehicles weren’t prepared in time for Paul Ricard,” he defined.

Potential entries for later within the season embrace the Leyton Home CG901 owned by Richard Hope, which was demonstrated eventually 12 months’s Goodwood Pageant of Velocity.

Additionally due out within the sequence is the Peugeot-engined Jordan 195 that Steve Griffiths ran on the Goodwood circuit within the F1 demo in 2022.

AGS, which additionally restores and runs historic vehicles together with the JH24 and JH25 competing at Ricard, has launched F1 ’90s in response to demand from its clients, based on Laurent.

“There have been demos for these vehicles,” stated Laurent in reference to the occasions placed on by Peter Auto, Masters Historic Racing and the Officina Caira.

Gabriele Tarquini, AGS JH24 Ford

Picture by: Rainer W. Schlegelmilch / Motorsport Pictures

“However a few of our purchasers have been asking us if there was wherever they might compete of their vehicles reasonably than simply doing demos.

“They weren’t eager on racing, as a result of there’s at all times a threat, so we began considering of another form of competitors and got here up with the thought of Time Assault.

“The nice factor is that these vehicles are again out on observe competing, which I feel individuals need to see.”

Laurent didn’t rule out working races for the vehicles sooner or later, nevertheless.

“We’ll ask our rivals what they need to do: do they need to proceed with Time Assault or do they need races?” he stated. “We’ll observe what they need to do.”

Factors might be scored for each thousandth of a second a driver improves a three-lap common between qualifying and the Time Assault closing.

The distinction between the occasions within the qualifying session and the ultimate can’t be greater than 103-110% relying on the circuit.

“We knew we didn’t need to have individuals sand-bagging after which we remembered that the 107% qualifying rule was launched within the Nineties,” stated Laurent.

NASHVILLE, Tenn. — Mandisa, a up to date Christian singer who appeared on “American Idol” and gained a Grammy for her 2013 album ‘Overcomer’, has died. She was 47.

A consultant for the singer advised The Related Press that the singer was discovered useless in her dwelling in Nashville, Tennessee, on Thursday. The consultant mentioned the reason for Mandisa’s loss of life was not but recognized.

Mandisa, whose full identify was Mandisa Lynn Hundley, was born close to Sacramento, California, and grew up singing in church. She gained stardom after ending ninth on “American Idol” in 2006.

As she left, host Ryan Seacrest advised the singer that she was “a fantastic spirit on the present.”

Mandisa moved on, releasing her debut album in 2007 referred to as “True Magnificence,” which acquired a Grammy nomination that yr for finest pop and modern gospel album.

She went on to launch 5 extra albums, together with a Christmas album.

In 2014, she gained a Grammy for finest modern Christian music album for “Overcomer,” her fifth album.

Mandisa spoke overtly about her struggles with melancholy, releasing a memoir entitled “Out of the Darkish: My Journey By way of the Shadows to Discover God’s Pleasure” in 2022 that detailed her experiences with extreme melancholy, weight-related challenges, the coronavirus pandemic and her religion.

On Friday, the Christian radio community Okay-Love paid tribute to the singer on social media, saying: “Mandisa struggled, and she or he was susceptible sufficient to share that with us, which helped us discuss our personal struggles.”

I don’t like The Tortured Poets Division. I stated it! Swifties, be at liberty to seize your pitchforks and storm the streets of Pittsburgh, Pennsylvania: I simply wrapped up my second hear and my emotions haven’t modified a bit — I’m nonetheless on the restaurant. Now, this isn’t to say I feel TTPD is dangerous. If something, it’s type of the alternative. It has the potential to be good… in a universe the place Lana Del Rey made The Tortured Poets Division.

Look, you possibly can both seize your pitchforks now, or just click on out of the tab: I’m supplying you with the out, as a result of what I’m about to say will (almost definitely) damage your emotions. However the fact hurts, and the reality is that this album doesn’t give Taylor Swift in any respect. And in the event you’ve ever listened to Lana Del Rey in your life, you’d know precisely what I’m speaking about. This doesn’t belong within the 2024 Taylor Swift universe — it belongs within the vinyl part of City Outfitters in 2014 subsequent to the particular version of Born To Die.

Transparently, I don’t take into account myself a “large Swiftie;” I began listening to her after she dropped folklore (primarily as a result of I noticed Bon Iver was featured), and actually fell in love together with her storytelling and songwriting. I went to the Eras Tour with my lifelong finest buddies and screamed the bridge of “Merciless Summer time” on the high of my lungs and obtained a friendship bracelet from the crying 13-year-old seated subsequent to me. Hell, “‘tis the rattling season” was on my Spotify Wrapped for 2 years straight! The girl is a juggernaut, a generational expertise that deserves all (sure, even AOTY) of her flowers. So, when the clock hit midnight on April 19, I immediately flocked to Spotify to take heed to TTPD with the remainder of the world. And I used to be met with disappointment.

The second Taylor began singing on “Fortnight,” I clocked that one thing was off. When she sang, “I used to be purported to be despatched away / However they forgot to come back and get me / I used to be a functioning alcoholic / ‘Til no person observed my new aesthetic,” her voice simply sounded… totally different. It wasn’t prefer it sounded extra mature, or skilled, or something like that — it felt like some form of impersonation or caricature. By the top of the music, I used to be virtually ripping my hair attempting to determine what it was. However by “Florida!!!” and “Who’s Afraid Of Little Previous Me?” it hit me: The Tortured Poets Division is so Lana-coded that it hurts.

I’ve been a Lana fan since conception (OK, like, 2010, however you get the purpose), however my love for her as an artist doesn’t blind me to the greatness of others. Nonetheless, there’s no denying the influence that Lana has had on the music trade and, most lately, Taylor Swift.

I problem you to take heed to tracks like “I Can Repair Him (No Actually I Can)” and “Fortnight” and say that Taylor’s vocals aren’t giving Lana — particularly with lyrics like “The dopamine races by means of his mind / On a six-lane Texas freeway / His fingers so calloused from his pistol / Softly traces hearts on my face” together with the form of smokey, sulky, Western-Americana vibes of the observe. Can somebody AI generate Lana singing this as an alternative of Taylor? I’m attempting to see one thing.

With so many moody lyrics about consuming, smoking, and courting the “dangerous boy” (he’s actually Matty Healy), TTPD appears like Taylor is taking over a brand new persona: a scorned, “tortured” artist who deserted the glitter pen to put in writing lyrics in blood whereas downing liquor by the bottle. For Swifties, that is most likely so sick and like, Mom of her. However I’ve seen this movie earlier than, and it’s a tough one to observe up.

It’s value noting that, up to now, Taylor has lauded Lana for her affect on pop music. On the 2024 Grammys, Taylor pulled Lana on stage together with her (regardless that Lana has simply misplaced that class) and stated, “I feel so many feminine artists wouldn’t be the place they’re and wouldn’t have the inspiration they’ve it if weren’t for the work that [Lana has] accomplished.” The 2 collaborated on the Midnights observe “Snow On The Seaside” alongside Jack Antonoff, who has additionally labored on Lana’s albums Regular F*cking Rockwell, Chemtrails over the Nation Membership, and Did You Know That There’s a Tunnel Below Ocean Boulevard?

Lana Del Rey’s aesthetic has been recognizable because the early 2010s. Her music consists of drug use, alcoholism, intercourse, dangerous boys, outdated males, crime, and the entire Americana grittiness you can ask for. And regardless of Lana’s notable affect, she’s nonetheless touted as an underdog, indie-darling whose aesthetic is a little bit too “edgy” for the mainstream. However, add some popstar aptitude, and a few of Taylor’s storytelling, and also you’ve received one thing that mainstream music listeners will love.

So, do I feel that Taylor purposefully copied Lana for TTPD? No; Lana’s clearly been an enormous affect on Taylor all through the years, and the 2 are buddies and collaborators. Similarities are sure to come back up. However do I feel Taylor’s album does something we haven’t seen earlier than? No, and this iteration feels inauthentic. 

The Tortured Poets Division isn’t a nasty album, it’s simply not a Taylor Swift album. Certain, all of it sounds the identical to me, however possibly I don’t have supersonic Swiftie listening to skills. Perhaps I’m lacking one thing right here, or possibly I’m a scorned Lana fan who was rooting for her Grammy win. Or, possibly, TTPD isn’t my cup of tea, and that’s OK. (I’m allowed to not like issues!) All I do know is that I’ll be sitting fairly listening to Blue Banisters whereas y’all resolve if you wish to sharpen your pitchforks or choose up a Lana album.